O objetivo principal desta pesquisa é apresentar como o momento histórico supracitado é narrado no discurso ficcional, a partir da perspectiva da personagem Serena, em comparação com o discurso histórico, de acordo com fontes selecionadas, que narram a história da Inglaterra no contexto da Guerra Fria, dos ataques terroristas do IRA e do funcionamento do Serviço Secreto doméstico inglês, chamado MI5. Their aim is to isolate the separate threads in the fabric of his fiction and demonstrate the maturation and increasing sophistication of his work.Įsta dissertação constitui uma reflexão sobre a situação social, política e cultural da Inglaterra na década de 70, especialmente nos anos de 1972 e 1973, como descrita no romance Serena, de Ian McEwan. The psychodynamic interpretations offered in this thesis depend on a detailed study of McEwan's published work. He synthesises these components under a strong narrative shelter of complex plots, dramatic suspense, unexpected thrills and shocks. He shares with the reader his interest in advances in science and his concerns about the dangers facing mankind and the evils of authoritarian and patriarchal structures in the microcosm and macrocosm of human institutions. He achieves an illusion of authenticity by including real people and events, familiar to readers from recent history and the news, in vividly described settings. His writing is not autobiographical, but it will be demonstrated that events in his life and his changing beliefs and values are reflected in his work.

Thus he was able to confront previously repressed aspects of his inner life and resolve some of his emotional problems in safety, while availing himself of rich material for his fiction. McEwan dealt with these themes by creating characters who expressed them through sexual deviations and violence or acted them through to their logical conclusion. These elements, which surfaced gradually and piecemeal, include strong feelings associated with the Oedipus complex, difficulties with masculine self-identification, feelings of rejection, unresolved grief, wishes to regress to the latency period of childhood, and sexuality contaminated with anal-sadistic power issues. Early in his career, he gained access to elements of his unconscious through free-association, active imagination, meditation and the use of recreational drugs. Completely unknown in 1971, his work has attracted increasing recognition, culminating in the Booker prize in 1998. This thesis traces the 'metaplot' of Ian McEwan's progress, through his professional writing.

2001 ian mcewan novel